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	<title>Uncategorized Archives - Ishai Adar</title>
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		<title>CNTRL_ALT_DESIRE (Music from the Paramount+ Original Documentary Series)</title>
		<link>https://www.ishaiadar.com/cntrl_alt_desire-music-from-the-paramount-original-documentary-series/#utm_source=feed&#038;utm_medium=feed&#038;utm_campaign=feed</link>
		
		<dc:creator><![CDATA[oosh]]></dc:creator>
		<pubDate>Sun, 28 Apr 2024 10:56:19 +0000</pubDate>
				<category><![CDATA[Film Music (NON PUBLISHED)]]></category>
		<category><![CDATA[Film Scoring]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://www.ishaiadar.com/?p=1268</guid>

					<description><![CDATA[<p>For the Paramount+ documentary series &#8220;CTRL+ALT+DESIRE&#8221; (directed by Colin Archdeacon), the original score articulates the fracture between physical reality and immersive virtual fantasy. To mirror the delusion of an invented online persona the protagonist convinced himself was real, the music operates across two distinct sonic poles: stark, suspended ambient textures grounding the isolation of the &#8230; </p>
<p class="link-more"><a href="https://www.ishaiadar.com/cntrl_alt_desire-music-from-the-paramount-original-documentary-series/" class="more-link">Continue reading<span class="screen-reader-text"> "CNTRL_ALT_DESIRE (Music from the Paramount+ Original Documentary Series)"</span></a></p>
<p>The post <a href="https://www.ishaiadar.com/cntrl_alt_desire-music-from-the-paramount-original-documentary-series/">CNTRL_ALT_DESIRE (Music from the Paramount+ Original Documentary Series)</a> appeared first on <a href="https://www.ishaiadar.com">Ishai Adar</a>.</p>
]]></description>
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<p class="wp-block-paragraph">For the Paramount+ documentary series &#8220;CTRL+ALT+DESIRE&#8221; (directed by Colin Archdeacon), the original score articulates the fracture between physical reality and immersive virtual fantasy. To mirror the delusion of an invented online persona the protagonist convinced himself was real, the music operates across two distinct sonic poles: stark, suspended ambient textures grounding the isolation of the physical world, juxtaposed against bright, glossy synthesizer sequences that reflect the seductive shimmer of the digital illusion.</p>



<p class="wp-block-paragraph">Buy / Listen on all streaming platforms <a href="https://stem.ffm.to/ishaiadarctrlaltdesire">here</a>:</p>



<p class="wp-block-paragraph">Listen to two selected tracks below:</p>


<p><div class="sc_fancy_player_container"><audio class="wp-audio-shortcode" id="audio-1268-1" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://www.ishaiadar.com/wp-content/uploads/2024/04/01_CTRLALTDESIRE-theme_Ishai-Adar_24b_48k_Mastered-@-Marsh-Mastering-V2.mp3?_=1" /><a href="https://www.ishaiadar.com/wp-content/uploads/2024/04/01_CTRLALTDESIRE-theme_Ishai-Adar_24b_48k_Mastered-@-Marsh-Mastering-V2.mp3">https://www.ishaiadar.com/wp-content/uploads/2024/04/01_CTRLALTDESIRE-theme_Ishai-Adar_24b_48k_Mastered-@-Marsh-Mastering-V2.mp3</a></audio></div> CTRL+ALT+DESIRE &#8211; theme</p>


<p><div class="sc_fancy_player_container"><audio class="wp-audio-shortcode" id="audio-1268-2" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://www.ishaiadar.com/wp-content/uploads/2024/04/02_life-pointless_Ishai-Adar_24b_48k_Mastered-@-Marsh-Mastering-V2.mp3?_=2" /><a href="https://www.ishaiadar.com/wp-content/uploads/2024/04/02_life-pointless_Ishai-Adar_24b_48k_Mastered-@-Marsh-Mastering-V2.mp3">https://www.ishaiadar.com/wp-content/uploads/2024/04/02_life-pointless_Ishai-Adar_24b_48k_Mastered-@-Marsh-Mastering-V2.mp3</a></audio></div> Life Pointless</p>
<p>The post <a href="https://www.ishaiadar.com/cntrl_alt_desire-music-from-the-paramount-original-documentary-series/">CNTRL_ALT_DESIRE (Music from the Paramount+ Original Documentary Series)</a> appeared first on <a href="https://www.ishaiadar.com">Ishai Adar</a>.</p>
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		<title>el 2</title>
		<link>https://www.ishaiadar.com/el-2/#utm_source=feed&#038;utm_medium=feed&#038;utm_campaign=feed</link>
		
		<dc:creator><![CDATA[oosh]]></dc:creator>
		<pubDate>Wed, 14 Sep 2011 08:59:02 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[featured]]></category>
		<guid isPermaLink="false">https://www.ishaiadar.com/?p=522</guid>

					<description><![CDATA[<p>Designing system sounds for a visionary mobile phone is an epic experience. It&#8217;s funny because after A long research you end up with 5 to 15 ultra short digital sounds. The Backbone of this type of work is how, when and if to integrate those tick and peep sounds with the visual graphics. The first &#8230; </p>
<p class="link-more"><a href="https://www.ishaiadar.com/el-2/" class="more-link">Continue reading<span class="screen-reader-text"> "el 2"</span></a></p>
<p>The post <a href="https://www.ishaiadar.com/el-2/">el 2</a> appeared first on <a href="https://www.ishaiadar.com">Ishai Adar</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Designing system sounds for a visionary mobile phone is an epic experience. It&#8217;s funny because after A long research you end up with  5 to 15 ultra short digital sounds. The Backbone of this type of work is how, when and if to integrate those tick and peep sounds with the visual graphics.</p>
<p>The first ELSE is a next generation mobile phone heavily inspired by sci-fi culture. A mobile phone that was created with user experience in mind.  Ishai created those hardly heard, ultra bright sounds, typically assigned with these transparent interfaces that we see in Hollywood films  these days. This artistic vision brought with it a challenge.   things get complicated when aesthetics versus usability. It&#8217;s not a movie, it&#8217;s mobile phone and it still needs to be functional and efficient. Ishai &#8216;s compromise was between the semi mechanical approach (a &#8220;tick/click&#8221; sound for typing) to  the cold digital blips.</p>
<p>In this Video there&#8217;s a lot of background noise so you can&#8217;t actually here the sounds. But, it&#8217;s a taste..</p>
<p><code><iframe id="viddler-6dba3970" src="http://www.viddler.com/embed/6dba3970/?f=1&#038;offset=0&#038;autoplay=0&#038;disablebranding=0" width="545" height="349" frameborder="0"></iframe></code></p>
<p><strong>the mechanical versus the digital approach:</strong></p>
<p><code></p>
<table border="0" width="100%" cellpadding="0" cellspacing="5">
<tbody>
<tr>
<td width="50%">
				<iframe src="http://player.vimeo.com/video/28762539?byline=0&amp;portrait=0" width="290" height="510" frameborder="0" webkitAllowFullScreen allowFullScreen></iframe>
			</td>
<td width="50%">
				<code><iframe src="http://player.vimeo.com/video/28762564?byline=0&amp;portrait=0" width="290" height="510" frameborder="0" webkitAllowFullScreen allowFullScreen></iframe></code>
			</td>
</tr>
</tbody>
</table>
<p></code></p>
<p><strong>The same issue with camera zoom tool:</strong></p>
<p><code></p>
<table border="0" width="100%" cellpadding="0" cellspacing="5">
<tbody>
<tr>
<td width="50%">
				<iframe src="http://player.vimeo.com/video/28762423?byline=0&amp;portrait=0" width="290" height="510" frameborder="0" webkitAllowFullScreen allowFullScreen></iframe>
			</td>
<td width="50%">
				<code><iframe src="http://player.vimeo.com/video/28762475?byline=0&amp;portrait=0" width="290" height="510" frameborder="0" webkitAllowFullScreen allowFullScreen></iframe></code>
			</td>
</tr>
</tbody>
</table>
<p></code></p>
<p><strong>Two more examples of other elements:</strong></p>
<p><code></p>
<table border="0" width="100%" cellpadding="0" cellspacing="5">
<tbody>
<tr>
<td width="50%">
				<iframe src="http://player.vimeo.com/video/28762516?byline=0&amp;portrait=0" width="290" height="510" frameborder="0" webkitAllowFullScreen allowFullScreen></iframe>
			</td>
<td width="50%">
				<code><iframe src="http://player.vimeo.com/video/28762497?byline=0&amp;portrait=0" width="290" height="510" frameborder="0" webkitAllowFullScreen allowFullScreen></iframe></code>
			</td>
</tr>
</tbody>
</table>
<p></code></p>
<p>The post <a href="https://www.ishaiadar.com/el-2/">el 2</a> appeared first on <a href="https://www.ishaiadar.com">Ishai Adar</a>.</p>
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