Six months after the release of the film Beaufort, Adar released the soundtrack album which featured slightly different musical arrangements. The monotonous, claustrophobic music was described by many critics as “music for William Basinski fans”.
The soundtrack for Uri Katzenstein’s video art work presented in the 2001 Venice Biennale. Electro-acoustic experimental music by Ishai Adar and Binya Reches.
Label: Fact Records, 2001
In addition to the genuine show that featured live music during the screening of the silent movie, Sheer Sofer and Ishai Adar released the soundtrack, recorded in Ishai’s studio in 2002. Sheer plays here Tibetan bowls, gongs, percussion, and world string instruments, and sings overtones, with Ishai at the computer and the digital mixing console.
Soundtrack of the film Year Zero, including both songs from the film and Ishai’s original neo-classical music, performed by a string quartet, piano and bass clarinet (quartet arrangement by Yoni Silver).
Here’s another track from this soundtrack:
The compilation that includes almost all the first album by the THC originally released on cassette.
Here’s “Haelohim sheli ayef” performed by Bney Hama Ishai’s current act in collaboration with Ohad Fishof.
Bney Hama's exposure session of their up coming self titled debut.
Her
Ishai’s debut album under the name Oosh (Meast Records, 2000) tends towards techno music, yet combines his various musical origins: electro pop, industrial, and experimental music. Considered a breakthrough in Israeli electronic music, it is today greatly appreciated by many around the world. An EP released recently features cover versions for “Over G” (punch music 2010), a prominent track in the album. Ten years after its release, the original track still receives enthusiastic reviews.
Label: Meast Records
cover art and photogarphs by Zoya Cherkasskyand Ruti Nemet
designed by sugapusher
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